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Zombies are everywhere. Film, television, novels, video games—even church. My daughter’s youth group recently held a “Zombie Night” to launch a month long series on engaging culture and relationships.
Why is our culture so fascinated with zombies? And is there any redeeming value to stories about them?
In his essay “Locating Zombies in the Sociology of Popular Culture,” sociologist Todd Platt says we
resonate with zombies because they personify so many things we struggle with—from
apocalyptic, cultural, political or social anxieties to personal fears like
infectious disease, loss of personal autonomy or death. Zombies are, says Platt
are flexible creature “whose likeness adapts to contemporaneous tumult,
concerns about manmade and natural disasters, conflicts and wars, and crime and
violence.”
In our always shifting and conflicted
world, zombies put flesh on our anxieties and fears.
That makes them a rich and
malleable metaphor in the hands of story-tellers. And, believe it or not, their
stories can bring God-talk into open spaces.
The acclaimed AMC series The Walking Dead confronts us with
profound questions about life, death and meaning. The zombies are lumbering,
rotting corpses that have lost all connection to their former humanity, consumed
with hunger for live flesh. But a big question in the series revolves around
who exactly is the walking dead: the
zombies or the surviving humans?
In the more light-hearted Warm Bodies, we find an unexpected metaphor
for spiritual transformation. The zombies still lumber about, but they can become
human again if they experience sacrificial love.
And in last summer’s
blockbuster World War Z, we discover
a compelling metaphor for the power of love and sacrifice in a broken world.
Former U.N. worker Gerry Lane
has retreated with his family to a pleasant suburban life after a career mired
in the world’s brokenness and darkness. But darkness, at some point, shatters
our illusions of isolation and security; for Lane, it comes in the form of swift
hordes of ravenous zombies.
His journey to find a way to
stop the outbreak becomes a metaphor for our own: What can we do to stop the
overwhelming tide of suffering, violence and destruction in this broken world?
Lane’s answer is intriguing.
It echoes our own Story with a sacrifice, death, and resurrection of sorts. Compared
to the military efforts to fight the threat, the solution is surprisingly
nonviolent and simple—and something against which the stemming tide of
animalistic and hungry darkness simply (and literally) parts.
There’s a humility and
meekness in Lane’s solution that stands in stark contrast to the violence and destruction of Superman’s choices in Man of Steel, another summer blockbuster. And whereas Superman’s solution
to save the world plays out in grand and epic style, Gerry’s sacrificial solution
is witnessed only by a few. It reminds us that our own acts of unseen sacrifice
in the midst of death, darkness, and brokenness can also change the world.
Of course, zombie metaphors
fall apart at some point. And the violence and gore in many of these stories can
push boundaries we don’t want to cross.
But stories like these help
us face and wrestle with our own fears and better understand the anxieties we
face. They confront us with darkness both in the world and within ourselves. They
explore what makes relationships and communities work, and what breaks them
apart.
Keep that in mind the next
time you run into a zombie. Oh, and run.
This is a slightly longer version of my column that ran in MWR.
For more in depth explorations of God-talk in zombie stories, see church planter and pastor T.C. Moore’s series on Warm Bodies at TheologicalGraffiti.com, Ryan Robinson’s reflections on The Walking Dead at EmergingAnabaptist.com, and my thoughts on the same series.
For more in depth explorations of God-talk in zombie stories, see church planter and pastor T.C. Moore’s series on Warm Bodies at TheologicalGraffiti.com, Ryan Robinson’s reflections on The Walking Dead at EmergingAnabaptist.com, and my thoughts on the same series.