Warner Bros via Wikipedia Commons and IMDB |
Late last night, after wading through piles of wrapping paper, stacks of dishes and abundant and yummy leftovers from a glorious Christmas, I collapsed exhausted on the couch to search out a good movie (my favorite way to reward myself and relax). AMC was running a cowboy film marathon, and when I saw The Searchers (1956) was one coming up, I debated whether or not to stick around. This film is a mixed bag for me. I’ve been a John Wayne fan since I was a kid (I still remember the day he died and how the soft focus image of him smiling on the screen of our small black and white TV faded to black as a news program announced his death), but The Searchers—while arguably one of his best films—isn’t an easy one for me to watch. But the pull of watching Wayne outweighed my hesitation.
The Searchers—which has been named as one of the best films of all time on several prominent lists—is a Western that follows Ethan Edwards (Wayne), an embittered man who hates almost everyone, but especially the Comanche. When his brother, sister-in-law (with whom he obviously has been in love most of his life) and nephew are killed and his two nieces (one of which is killed shortly afterward) are abducted in a Comanche raid, he goes on a quest to rescue his remaining niece, Debbie (portrayed in brief appearances by Lana and Natalie Wood). As the years go by, however, his quest gradually goes from one of rescuing Debbie to one of killing her (which he sees as an act of mercy based on his belief that “living with the Comanche ain’t living”).
The Searchers—which has been named as one of the best films of all time on several prominent lists—is a Western that follows Ethan Edwards (Wayne), an embittered man who hates almost everyone, but especially the Comanche. When his brother, sister-in-law (with whom he obviously has been in love most of his life) and nephew are killed and his two nieces (one of which is killed shortly afterward) are abducted in a Comanche raid, he goes on a quest to rescue his remaining niece, Debbie (portrayed in brief appearances by Lana and Natalie Wood). As the years go by, however, his quest gradually goes from one of rescuing Debbie to one of killing her (which he sees as an act of mercy based on his belief that “living with the Comanche ain’t living”).
Warner Bros via Wikipedia Commons and IMDB |
The last scene of The Searchers, however, is my favorite scene in the film. Ethan, who in the climax of the film embraces Debbie instead of killing her, slowly rides back to the settlement with Debbie in his arms. Ford frames the very last scene through a doorway from within a house. We gaze through the door into the brightness of the desert and watch the other characters with the rescued Debbie walk by Ethan into the house and pass out of our view. We are left watching Ethan, who looks after them. Then he turns and walks slowly away towards the desert as the door closes and the film ends.
Warner Bros via Wikipedia Commons and IMDB |
And, in the end, I guess that makes it a perfect film for Christmas night, because redemption, transformation, hope, promise and especially love is a world that is all too often messy, dirty and dark is what Jesus is all about.